In modern-day Berlin (1987), Frau Kutowski goes insane, believing herself to be the (real-life) notorious Anita Berber, ...
Camp/queer aesthetic meeting German expressionist/Brecht theatrical tradition. Fragmented vignettes threaded by non-linear narrative, but message isn't lost thanks to extremely convincing sight and sound. An homage to great German silent cinema yet accompanied with modern dance and modern classical/free jazz/avant-garde score. This anachronism mirrors the film's juxtaposition of the two eras and their eerie similarities: on queerness perceived as otherness, sickness and mentally ill; on a different kind of revolution; on social conservatism and male gaze are both sides of the same coin; on how strong-man politics and nazism are fermented by these attitudes, leading to an inevitable outcome.
VOSE 720p硬英字,罗萨导演的艺术很耐人寻味,3.9
特效场面震撼,绝对是视觉上的饕餮盛宴。
结局处理得干净利落,没有强行圆满。
题材大胆、现实立意深刻,抓住社会痛点,剧本扎实。罗萨·冯·布劳恩海姆在影视创方面的确很厉害,希望剧情片多来点这种影视剧,强烈安利大家这部《安妮塔—恶之舞 Anita - Tänze des Lasters 》。
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